Baby John movie review: All action films share a common template—revenge and redemption with a powerful antagonist. Baby John, starring Varun Dhawan, attempts to follow this formula but struggles to leave a lasting impression.
The story introduces Baby John, living peacefully with his daughter Khushi in Kerala. A flashback reveals his past as IPS officer Satya Varma, a righteous man devastated by a tragic crime involving a powerful figure, Nanaji (Jackie Shroff). The narrative focuses on Satya’s transformation and quest for justice, mirroring the 2016 Tamil hit, Theri.
The film begins on shaky ground. The first 40 minutes lack direction, and the interactions between John and his daughter fall flat. Director Atlee, known for hits like Jawan, reuses elements such as double roles and pigeons, but these fail to create the desired impact. However, things pick up towards the intermission with a well-crafted action sequence.
Varun Dhawan, in his first full-fledged action role, delivers commendable punches and pulls off intense scenes, aided by Sunil Rodrigues’ action choreography and Thaman S’s electrifying background score. Unfortunately, Thaman’s songs feel uninspired and disrupt the narrative.
The film’s second half redeems some of its earlier flaws. Rajpal Yadav as Ramsevak provides comic relief, and Jackie Shroff excels as the formidable antagonist, adding weight to the climax. Wamiqa Gabbi as Tara and Keerthy Suresh as Satya’s wife contribute adequately but leave minimal impact.
While Baby John entertains with its action sequences and gripping second half, it falters with a sluggish start, dull music, and predictable plotlines. The movie’s reliance on clichés and overused cameos like Salman Khan’s doesn’t help.
If you’re a fan of masala potboilers, Baby John is worth a watch, provided you can endure its slow moments.